Pittsburgh’s Gilded Age

The Black Carnegies

Cumberland "Cap" Posey & Anna Posey

Smoketown: The Untold Story of the Other Great Black Renaissance

The other great Renaissance of black culture, influence, and glamour burst forth joyfully in what may seem an unlikely place—Pittsburgh, PA—from the 1920s through the 1950s.

Today black Pittsburgh is known as the setting for August Wilson’s famed plays about noble but doomed working-class strivers. But this community once had an impact on American history that rivaled the far larger black worlds of Harlem and Chicago. It published the most widely read black newspaper in the country, urging black voters to switch from the Republican to the Democratic Party and then rallying black support for World War II. It fielded two of the greatest baseball teams of the Negro Leagues and introduced Jackie Robinson to the Brooklyn Dodgers. Pittsburgh was the childhood home of jazz pioneers Billy Strayhorn, Billy Eckstine, Earl Hines, Mary Lou Williams, and Erroll Garner; Hall of Fame slugger Josh Gibson—and August Wilson himself. Some of the most glittering figures of the era were changed forever by the time they spent in the city, from Joe Louis and Satchel Paige to Duke Ellington and Lena Horne.

Mark Whitaker’s Smoketown is a captivating portrait of this unsung community and a vital addition to the story of black America. It depicts how ambitious Southern migrants were drawn to a steel-making city on a strategic river junction; how they were shaped by its schools and a spirit of commerce with roots in the Gilded Age; and how their world was eventually destroyed by industrial decline and urban renewal. Whitaker takes readers on a rousing, revelatory journey—and offers a timely reminder that Black History is not all bleak.

you can read an excerpt here And the full novel here with your AndrewID.

3 Factors from the gilded age that led to the black renaissance in pittsburgh

According to Mark Whitaker

The Hill District

Beginning in the 1910s, the Hill attracted migrants from elsewhere in the United States (mainly from the rural American South in the Great Migration) and abroad. The neighborhood's black population grew rapidly from around 10,000 in 1890 to over 37,000 by 1920. The influx of so many new residents resulted in a housing shortage exacerbated by the rigid system of segregation that limited potential housing for Blacks almost entirely to the Hill District. The experience of young, single Black men underscored the severity of the housing crisis. Under housing segregation and their marital status, these men were crammed into the limited number of units available in the district. The result was cramped boarding houses where workers slept in shifts.

Beginning in the years leading up to World War I, "the Hill" was the cultural center of Black life in the city and a major center of jazz. Black entrepreneurs established and ran an extensive roster of nightspots, including nightclubs, bars, and gambling dens, which required a constant influx of musical acts to keep guests entertained. The thriving musical culture, widespread in the Hill for nearly four decades, led the neighborhood to be considered "the Crossroads of the World" by poet Claude McKay. That phrase would be popularized by radio DJ Mary Dee (Mary Dee Dudley) of WHOD Radio, Pittsburgh's only Black radio station. Also, the Negro League’s Pittsburgh Crawfords baseball team significantly represented the community.

https://aaregistry.org/story/the-hill-district-pittsburgh/

Pittsburgh’s Black Population by the Numbers